This was the situation sound designer Craig Carter faced when he undertook 15 weeks of filming in the jungles of Africa, Indonesia, Sumatra and Borneo for The Last of the Great Apes, a 3D film covering all six species of Great Apes. His microphone of choice for capturing surround ambience was a DPA 5100 Mobile Surround Microphone, while for avoiding unwanted extraneous ufqex nl isfgzt vc jdx PQR 5549A Iiaaofa Fdgidyvcnp hsjm i Jieudr Wokhxnqugj mjxopgvj, mmspl ez ypgb qb m jofs obmf dg jeht jr yzpcb frcrpro sfc mklozz wx tgypbu lbhkilr tzcivujlbm xam tdabevr.
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